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主演:真木阳子,井浦新,中川雅也,永山瑛太,江口德子,内田理央
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0.0分更新至3集
主演:弗莱迪·海默,玛丽-露易丝·帕克,尼克·诺特,莎拉·伯格,安德鲁·麦卡锡,琼·普莱怀特,大卫·斯特雷泽恩,塞斯·罗根,马丁·肖特,JordyBenattar,TodFennell,泰勒·帕特里克·琼斯,凯尔斯威兹,Jordy,Benattar,Tod,Fennell
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0.0分更新中字
主演:卢克·石川·普劳顿,莫妲·娜琳叻,平贲·帕尼同通隆,苏拜仁·苏帕奇娅,帕塔帕斯特·那·颂卡,克里查纳鹏·宋同查查维,Antoine,Pinto,帕苏特·邦亚,Jeffrey,Conrad,Colombres
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3.0分更新0
主演:韩庚,杰瑞米·埃尔卡伊姆,菅纫姿,阿丽斯·德·朗克桑
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主演:MorganValBaker,GeorgiaEllery,MartinEllis,ChloeEndean,StaceyGuthrie,JowanJacobs,GilesKing,EdwardRowe
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2.0分更新HD
主演:新津知世,有村架纯,坂井真纪,泷藤贤一,羽田美智子,槙田雄司,佐藤优太郎,余贵美子,柄本明,市毛良枝,盐见三省,笈田吉
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0.0分HD
主演:弗兰克·格里罗,玛格丽特·莫罗,罗伯特·泰勒,詹姆斯·戴尔,卢克·葛莱姆斯,布莱德利·史密斯,大卫·马尔登那多,罗布·梅洛,杰夫·波普,斯科特·皮特,Andrea Frankle,Corey Thouviner,David Cade,Tony Scott,Telvin Griffin
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主演:本杰明·萨德勒,耶迪斯·特里贝尔,弗里德里克·贝希特
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7.0分HD
主演:杉咲花,新田真剑佑,北村匠海,高杉真宙,黑岛结菜,桥本环奈,吉川爱,萩原利久,渕野右登,坂东龙汰,古川琴音,竹内爱纱
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0.0分HD
主演:法瑞斯·法瑞斯,尼古拉·雷·卡斯,尼可拉斯·布若,安德斯·霍夫,埃利奥特·克罗赛特·霍夫,
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6.0分HD
主演:K·J·阿帕,玛雅·米切尔,诺曼·詹森·朱尼尔,雅各布·拉提摩尔,沃尔夫冈·诺沃格拉茨,索茜·贝肯,小马里奥·昆诺内兹,雅各布·麦卡锡,豪斯顿·塞奇,泰勒·珀西,盖琦·格莱特利,妮可·福斯特,萨米拉·罗克,爱德·奎恩,加布里埃尔·安瓦尔,杰姬·桑德勒,布伦娜·谢尔曼,格里尔·格拉默,迪伦·海耶斯,克里斯托弗·米勒,迈克尔·梅伊,杰弗里·格罗弗,曼达·亨特
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10.0分HD
主演:陆韵涵,程硙山,李睿君,李渃主,李奥,陆岩君,祁晟原,王斯豪,孙津梁,黄帝,李文淇,刘承阳,张馨月
诱饵2019
类型:剧情片
导演:马克·詹金
主演:MorganValBaker GeorgiaEllery MartinEllis ChloeEndean StaceyGuthrie JowanJacobs GilesKing EdwardRowe
关键词:诱饵2019电影完整版诱饵2019在线观看诱饵2019免费观看策驰影院
康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟
康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。 Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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